Fulvio Giraudo’s story is one of versatility and lifelong devotion to music.

Trained by masters such as Miguel Ángel Rosado, Susana Agrest, and Emilio de la Peña, he explored everything from classical piano and chamber music to tango and jazz.

From early performances with a baroque ensemble to acclaimed appearances at Buenos Aires’ most prestigious venues, Fulvio quickly established himself as a pianist of rare breadth and sensitivity.

Since 1992, tango has been his musical home.

He has performed with legendary ensembles including Sexteto Mayor, Sexteto Horacio Romo, Quinteto Grande, and Rascasuelos — bringing tango to audiences across the world.

His artistry has graced stages from Paris to Shanghai, Copenhagen to Mexico, and at major festivals such as Roskilde, WOMEX, Cosquín, and the Buenos Aires Tango World Festival.

Fulvio’s discography spans more than twenty albums, earning multiple Premios Gardel and Estrella de Mar awards with Sexteto Mayor.

He has shared the stage with iconic voices — Rubén Juárez, Raúl Lavié, María Graña, Alberto Podestá, Amelita Baltar, and Ariel Ardit — and performed at the legendary Carnegie Hall in New York with Rascasuelos in 2016.

Beyond the stage, he has lent his talent to theater and musicals, including Eva, el gran musical argentino, Che, el musical argentino, and Social Tango Project, which he directs musically.

Today, Fulvio Giraudo remains a vital force in tango — a pianist and musical director who continues to bridge tradition and innovation, carrying the sound of Buenos Aires to the world.

Currently a member of the Buenos Aires Philharmonic Orchestra (Teatro Colón).

He began studying violin at an early age with his father, Ángel Ridolfi, and later with Szymsia Bajour. At the age of 16, he continued his training with Alberto Lysy, who invited him to Switzerland to join the International Menuhin Music Academy in Gstaad. There, he took part in tours, concerts, and recordings across Europe. He completed his studies in 1996 at the Geneva Conservatory, where he was awarded the Prix de Musique de Chambre.

Between 1986 and 1990, he lived in the United States, studying under Jaime Laredo and Josef Gingold at the St. Louis Conservatory and the Indiana University Jacobs School of Music in Bloomington. He also attended masterclasses with the American Quartet and Michael Tree at the Taos Festival in New Mexico. In 1988 and 1989, he was invited by Alexander Schneider to perform with the New York String Ensemble at Carnegie Hall and the Kennedy Center.

Starting in 1995, he embarked on an active tango career, performing in cities such as Tokyo, New York, London, Mexico City, San Francisco, and Brussels, alongside leading musicians and tango companies. These included Luis Bravo’s Forever Tango, Otango, and the company of Andrés Linetzky, with whom he toured in the 2015 Tango Origin production in Tokyo.

In 2001, he returned to Buenos Aires to continue his musical career in Argentina. He has performed widely in chamber music settings and was a member of the UCA Quartet. He recorded a CD with Viviana Lazzarin featuring sonatas by Debussy, Saint-Saëns, and Fauré, as well as another album with the Gianneo Quartet.

Cristian Basto is a composer and one of the leading tango and popular music double bassists of his generation. He has collaborated with renowned artists and ensembles such as Rascasuelos, Quasimodo Trío, Pablo Mainetti, Diego Schissi, Nicolás Guerschberg, Los Fabulosos Cadillacs, Dancing Mood, Lidia Borda, Susana Rinaldi, Nacha Guevara, Hilda Herrera, Juan Carlos Cuacci, Julieta Laso, and La Chicana.

He has performed as a musician with various tango-dance companies, including Mora Godoy, Eleonora Cassano, Tango x 2 by Miguel Ángel Zotto, SocialTango, and Taco Teco.

Basto has toured extensively across the United States, Japan, Canada, China, Italy, Germany, France, Denmark, the Netherlands, Belgium, Bulgaria, Luxembourg, Russia, Spain, Latvia, Estonia, Lithuania, Finland, Switzerland, Brazil, Chile, Uruguay, Colombia, Mexico, and Costa Rica. He has played on prestigious stages such as the Teatro Colón in Argentina, Carnegie Hall in the United States, Sofia Theater in Bulgaria, Tropentheater and De Doelen in the Netherlands, among many others.

Born in Buenos Aires and based in Brussels since 2016, Camilo Córdoba is an Argentine guitarist, arranger and composer whose work explores tango from both its traditional roots and its contemporary developments.

He studied jazz and tango at the Escuela de Música Popular de Avellaneda (EMPA) in Buenos Aires, working with musicians such as Aníbal Arias and “Chocho” Ruiz, and later pursued composition with Guillermo Klein, Diego Schissi and Nicolás Guerschberg.

From 2004 onwards, he developed an extensive international career with Violentango, performing throughout Latin America, North America, Europe and Asia at festivals including Glastonbury Festival, Vive Latino, Canarias Jazz, Jazz al Parque and Virada Cultural.

Since settling in Belgium, he has been involved in several projects dedicated to contemporary tango and new Argentine music. From 2018 to 2022, he was a member of SONICO, the Brussels-based ensemble devoted to the music of Eduardo Rovira, performing at major venues and festivals across Europe and Latin America.

Alongside his work as a performer, Córdoba has increasingly focused on arranging, composition and the development of his own artistic projects. His recent work explores the dialogue between tango, contemporary music, jazz and chamber music.

In 2026, he released Será Mañana, an album built around two complementary quintets: NÁCAR Quintet, bringing together musicians from the Buenos Aires tango scene, and Pentafoniek, based in Europe.

Through these two ensembles, Córdoba develops two different but interconnected perspectives on contemporary tango, exploring the relationship between tradition, composition and new musical languages.

Camilo Córdoba is the guitarist, arranger and artistic director of NÁCAR Quintet.